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Fast One by Steve Gooch

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Steve Gooch - Reviews and Press

Female Transport South London Theatre poster

Female Transport
'A tough, realistic and detailed account of the hardships endured by six female convicts transported to Australia in the early 19th Century' - Michael Billington, The Guardian

'Female Transport is a wonderful play. It can stand on its own merits as a piece of literature ... its dialogue is the open verse of human poetry.' - Stu Feiler, News/Voice, Chicago

'There is nothing sentimental in Gooch's picture ... his language is rough and racy, his emotions primitive.' - Sylviane Gold, New York Post

The Women Pirates
'Mary survives as a soldier in Flanders, and Ann libertinely uses her body, to meet just when piracy is dying. More fun than anything in the West End.' - Sandy Craig, Time Out

Fast One
'A merchant seaman heads off with his favourite barmaid for South America and is drawn into revolution and gun-running - one of our most trenchant playwrights.' -
Malcolm Hay, Time Out

Will Wat, if not, What Will?
'Doesn't just show you the peasants' revolt of 1381, it invites you in it. By the end I felt ready to raise a billhook against all oppressors.' - John Mortimer, The Observer

Good For You
'Savagely knowing about how men and women relate' -
Robin Thornber, The Guardian

Taking Liberties by Steve Gooch

Taking Liberties
'Disenchantment with parliament in the form of mock elections in the 18th Century. A bustling account of the time.' -
Malcolm Hay, Time Out

The Motor Show
'An exhilarating evening which reasserts the potential for a real political theatre' - Michael Coveney, Financial Times

Back-Street Romeo
'An "East Side Story" in modern Cockney with a nicely sardonic humour. A much superior evening.' - Rosemary Say, The Sunday Telegraph

It's all for the Best (adaptation)
'One of the speediest stories ever written, Mr Gooch has managed to compress it further. His sense of barrack-room wit serves him well.' - Irving Wardle, The Times

Massa
'A fascinating insight into class and gender in Victorian Britain.' -
V. Plaupie, City Limits

"A theatrical goldmine of fleshy confrontations about class, gender and ideas of 'work' . His skills for turning history into drama cannot be faulted - the lasses' banter is a delight to witness." - Paula Webb, Time Out

Dark Glory
"Mr Gooch has created an absorbing and enjoyable piece of theatre" - Country Life
"A theatre of psychological truth and sharp insight" - Simon Reade, Plays International

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